DADA
August 24th, 2006I finally got around to seeing the DADA exhibit at MoMA Yesterday.

This is the only picture I was allowed to take.
The guard said, “No pictures on the 6th floor.”
I said, “even if I don’t use a flash?”
He said, “Yeah, they don’t like people taking pictures of new exhibitions.”
I said, “OK.”
When you think of Dada you probably think of smart dudes in bowler hats making bad-assed art jokes.
Or maybe you think of paintings with a mannered hysteria about them—pictures of meaty-looking dudes with their legs blown off, maybe with some collaged bits of gears thrown in.

It was WWI, after all, and people were dying horrible deaths all around so I guess I can forgive Otto Dix for painting the way he did, but still they look pretty bad.
Duchamp’s art looks good: all these strange deadpan objects—like a freaky looking wine bottle holder—sending off their bad vibes throughout the gallery space. Yikes, readymades are creepy!

I like how little work Duchamp made in his lifetime—it makes me feel OK that I’m not producing a lot of work at the moment. Although I can’t play chess and Duchamp was a very good chess-player.
But still, Duchamp is pretty ice-cold and after a while you think, “I don’t care about this coat rack.”
Though, what you forget about with Dada is how lovely some of it is. How esthetic.
Man, I was really blown away by Jean Arp. Why hadn’t I thought about Arp? I think about Tuttle all the time and Jean Arp was doing Tuttle long before Tuttle. Some people called him “Hans.”
Look at this thing:

He would do some automatic drawings of shapes and then send those off to a carpenter to be cut out in wood and then he’d screw them together and paint them. Pretty good plan, I’d say. There are a few of these in the show. I love how gentle and unassuming they are. But also kind of tough and sloppy. He also made some great paintings and collages.
Kurt Schwitters is great too. I’ll take Kurt Schwitters over Rauschenberg. Yeah, I said it. I mean, wasn’t that Combine show at the Met disappointing? Didn’t you think, “Eh, these are kind of pompous. Who needs ‘em?”
Anyway, the biggest revelation of the Dada show was finding the work of Sophie Taeuber. Who the hell is Sophie Taeuber? I guess she was married to Jean “Hans” Arp. She made some really great needlepoint “paintings”:

I don’t remember if this one was in the show. Taeuber also did a series of small wood sculptures that are fantastic. Here is one of them:

I think she might have made these cool marionettes in the show too.
So Sophie Taeuber is great.
Here’s her picture:

Here’s a very cool picture of Jean Arp:



August 24th, 2006 at 5:46 pm
Did you enter via NY or Zurich?
I saw this show too and thought a lot of the machinery paintings were lovely. And it’s an ironically overload that most of the “readymades,” challenging what can and can’t be art are actually all 60s “reproductions,” further causing debates as to whether they’re even “real.” Blaaaaah.
The movies were all your stock “terrible experimental film,” but they were inventing the cliche genre right there.
I actually went over to the Douglas Gordon Timeline show right across the hall and really liked the Elephant installation and the 30 Second Text.
August 24th, 2006 at 6:00 pm
I went through Zurich, which I preferred to New York.
Duchamp is a strange guy.
I kind of liked the films. There was a point in one of them where these four hats (bowlers, of course) are floating through the air and they land perfectly on the heads of four men seated stiffly at a breakfast table.
I didn’t go into the Douglas Gordon show.
August 25th, 2006 at 12:45 am
More on readymades:
I don’t really think about the art/non-art issue so much as I think about how context can create art. And maybe also about our weird relationship to anonymous, everyday objects. And maybe also about how being an artist is about “selecting” things.
I also think about the objects themselves, how they all seem to strike the same sort of banal/horrific tone. It would be hard to make a good readymade, I think. Like I’m looking at a blue pair of scissors in front of me now and thinking, “this would make a bad readymade.” But lopping of the head of a coat rack and daggling it from a string made a good readymade.
August 25th, 2006 at 10:46 am
I am prepared to fist fight you for the honor of Rauschenberg. Schwitters, PAH!
August 25th, 2006 at 3:40 pm
I really enjoy reading your commentary on art. For those of us who art not artists, but like to see and think about art, it’s hard to make the journey. Your knowledge and style are accessible without dumbing it down or being condescending. You’re a perfect guide. Thanks!
August 29th, 2006 at 11:39 am
i agree with hank-star. i genuinely mean this. it’s not just what the t-shirt i am wearing says.